“Come, let us sing for joy to the LORD; let us shout aloud to the Rock of our salvation. Let us come before him with thanksgiving and extol him with music and song.”
– Psalm 95:1-2

Breaking: Faith leaders call for citywide praise—”Sing for joy!” reads bulletin. Congregations urged to shout to “the Rock of our salvation,” assemble with thanksgiving and raise music and song. Immediate gatherings encouraged; worship expected to be jubilant and loud.

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interview with the author of Psalm 95:1-2

Interviewer: You begin with a call to action — what are you asking people to do?

Author: I’m calling everyone to sing and make a joyful noise to the Lord. Raise your voices — sing out, shout — for he is the Rock of our salvation.

Interviewer: Is there a particular way you want them to come to God?

Author: Yes. Come before him with thanksgiving. Bring songs, bring psalms; come with hearts of praise.

information about the author of Psalm 95:1-2

Short answer: Evangelicals generally regard King David as the most likely human author of Psalm 95:1–2. The psalm’s superscription, its style and themes, and David’s known role as Israel’s worship leader support that view.

Key points from an evangelical perspective

– Superscription: The Hebrew heading of Psalm 95 reads something like “For the Chief Musician. A Psalm. A Maskil. Of David.” Evangelicals typically take that heading at face value as indicating Davidic authorship.

– David’s background fits the psalm: David was a shepherd, musician (skillful with harp and lyre), poet and Israel’s anointed king. Scripture and tradition portray him as the chief composer of many psalms and as a leader in corporate worship, so a call-to-worship psalm like 95 fits his life and ministry.

– Liturgical setting: The “For the Chief Musician” and the imperative language (“Come, let us sing… let us come before His presence…”) indicate this was intended for corporate worship—something David, as worship leader and king, would plausibly compose and use.

– Theological and Christological resonance: Psalm 95:1–2 calls God “the rock of our salvation.” Evangelicals often connect that language with New Testament teaching (e.g., 1 Corinthians 10:4 speaks of the “spiritual rock” that accompanied Israel, and the Psalms are seen as pointing forward to Christ). Hebrews 3:7–11 also cites Psalm 95 in its warning about unbelief, showing early Christian use of the psalm.

– Scholarly caveat (brief): Some critical scholars propose later datings or anonymous composition for parts of the Psalter, but from an evangelical standpoint the superscription and internal evidence make David the most likely author of Psalm 95.

Practical application (why it matters): If David wrote Psalm 95, it shows how a biblical worship leader combined exuberant praise (“come, let us sing… make a joyful noise”) with theological seriousness (trusting God as “rock” and remembering His acts). For evangelicals this encourages joyful, Christ-centered corporate worship rooted in Israel’s confession of God’s saving character.

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